‘Rugby World Cup – Australia 2027’ Pool Draw To Take Place With All Teams Known For 1st Time Ever In Pro Era

World Rugby has announced that, for the 1st time ever in the professional era (since 1995), the pool draw for the Rugby World Cup – Australia 2027 will take place with all participating teams known.

The pool draw for the Rugby World Cup – Australia 2027 will take place in December 2025 with its bands being determined by the World Rugby Men’s Rankings at the end of the November international window.

This will ensure the seeding process for the 6 pools of 4 teams is more accurate & up to date.

World Rugby Chair, Brett Robinson, said at least 1 nation from each of their regional associations will participate at the Rugby World Cup – Australia 2027.

The tournament will also feature 52 matches – an increase of 4 from the previous total of 48 matches.

This announcement was made on May 22 this year.

The Rugby World Cup – Australia 2027 will begin on Friday the 1st of October 2027, with its final on Saturday the 13th of November 2027.

9 Entertainment To Broadcast ‘Rugby World Cups – Australia 2027-29’ In Australia

World Rugby has announced 9 Entertainment will broadcast the Rugby World Cups – Australia 2027-29 in Australia.

The announcement was made on May 12 this year.

The broadcasts will be on 9’s leading streaming & broadcast platforms including 9, 9Now, Stan Sport & radio.

Stan Sport will show live & on demand every match of the Rugby World Cups – Australia 2027-29 while the 9 Network will show live & free half of the Rugby World Cup – Australia 2027 including the final, semi-finals & every Wallabies (Australian team) match as well as half of the Rugby World Cup – Australia 2029 including every Wallaroos (Australian team) match.

World Rugby & 9 are uniting to deliver unprecedented visibility for the sport & its stars in Australia, ensuring the next generation of rugby fans is inspired by the action both on & off the field. As we enter a golden decade for the sport in Australia, we are excited to continue our fruitful relationship with 9 all the way to 2 era-defining Rugby World Cups in 2027 & 2029.

Alan Gilpin, World Rugby Chief Executive Officer (CEO)

While the World Rugby CEO announced the broadcast deal as delivering “unprecedented visibility”, in 2003, when Australia last hosted the Rugby World Cup (men’s edition), 54% of the tournament’s matches (26/48) were shown on free-to-air television in Australia – just over half – thus meaning in 2027 when Australia hosts the tournament again, the broadcast won’t have unprecedented visibility – in fact, it will have at least slightly less. It should be pointed out that coverage of the Rugby World Cup – Australia 2029 will be the same as the Rugby World Cup – England 2025, adding to the lack of unprecedented visibility by tournament time in 2029.

The Rugby World Cups – Australia 2027-29 will begin on Friday the 1st of October 2027 with the men’s tournament, with its final on Saturday the 13th of November 2027. The women’s tournament will be held in 2029 with dates yet to be determined but are likely to be held roughly in the same months as the preceding men’s tournament.

This landmark partnership is all about reigniting the love of rugby down under. With 9’s unmatched reach, expert analysis & comprehensive coverage across its broadcast and digital platforms, we are ensuring rugby is accessible to a wide audience & offering a unique and immersive destination for fans in the country.

Brett Robinson, World Rugby Chair

Securing the rights to these global events is a testament to 9’s long-term strategy & deep commitment to delivering value for audiences, partners and shareholders. Major sporting bodies know they can trust 9 to bring an exceptional experience for fans that builds interest not just in the event but also engagement in their sport. Rugby is living proof of that value 9 brings.

Catherine West, 9 Chair

The Rugby World Cup agreement reinforces the power of 9. Whether it’s streaming on 9Now or Stan Sport, watching at home on 9 Network, listening on radio or getting the analysis across our publishing mastheads, 9 can bring the game to Australian audiences like no other media company can. It not just cements 9 as the home of rugby, it strengthens our position as the place for iconic national & international sport with an unmatched ability to reach audiences across any & every platform. It’s not just the fans that benefit from this partnership with World Rugby, our sponsors & advertisers know they can trust 9 to elevate their brands & engage with audiences in a meaningful and impactful way that adds to the experience for our audiences.

Matt Stanton, 9 Chief Executive Officer

‘Sydney Spectaculars’ To Begin To Remove Old Historic Imagery From Blog

Sydney Spectaculars has decided to begin removing old historic imagery from our blog in order to allow us to publish news stories with new imagery.

The decision was not taken lightly due to how we like to promote the history of Sydney’s iconic events. However, this was the only way to continue the blog.

In May, we began asking for donations in order to avoid today’s decision. We thank everyone who donated & all donors have been offered full refunds as a courtesy.

While this announcement currently only affects imagery, it may one day affecting video footage, though we hope this won’t end up being the case.

Despite today’s announcement, we would still like to request & receive donations of minimum 65 cents in order to try, keep & return historic imagery of Sydney’s iconic events online. If we do end up being successful in our aim, we will announce it via our donation counter on the side of our site (as you can see, we reached 21% of our aim so far). We also still encourage readers to become members (as ‘Spectators’) of the Sydney Spectaculars Society, which is free of charge to join currently.

Again, thank you to all donors.

Introducing The ‘Sydney Spectaculars Society’

If you look at our Frontcover page, you may have seen that it is called Sydney Spectaculars Society.

We would now like to introduce it.

The Sydney Spectaculars Society will work to promote Sydney’s iconic events’ history & future through:

  • historical research,
  • historical conservation,
  • spectator representation,
  • event management education &
  • creative art education

Historical research will see the Society delve into historical records to bring to light the rich history of Sydney’s iconic events while historical conservation will see the Society preserve & restore historical artefacts related to Sydney’s iconic events.

Spectator representation will eventually see the Society represent you if you & others have a dispute regarding an event. Using as an example the rail strike threat to Sydney New Year’s Eve (NYE) last year (which wasn’t covered on our blog as it had not got serious enough to justify coverage). There was no formal body to represent event spectators at the Fair Work Commission. Only New South Wales (NSW) locals were represented via the NSW Government. As this didn’t include the international audience of Sydney NYE, this Society will eventually include international members, who we intend to help represent in any dispute they have with an event or its stakeholders. Due to the legal nature of this part of the Society, this feature won’t immediately be available. We want to ensure we have a sufficient number of members before exploring this feature in more detail.

Event management & creative art education will see the Society, as it states, offer education on the management of events & how to be creative, particularly in regards to events. Initially, this service will only be friendly advice, but we hope to expand to include formal credentials.

Membership is currently open for FREE, though in the future, as the Society expands, it is likely we will have to begin charging membership fees so get in while it is FREE!

Our initial membership tier is called Spectator & includes all Sydney Spectaculars. In the future, there will be other membership tiers based on specific events & different pricing levels and features.

Spectator will give you a digital pass, which can be put into your Google or Apple Wallet & allow you to attend monthly meetings of the Society, where you would have a right to vote. These would be held in Sydney except in March & September, when it will be in Shellharbour – the home of Airshows Downunder Shellharbour. Your concerns regarding Sydney’s iconic events will also be represented (but as stated above, this feature won’t initially be implemented).

While anyone can apply to become a member, applications will only be accepted from Australian residents aged 18 years & over. This is due to our hope to incorporate the Society, which due to NSW legal requirements, requires local people above that age to form the core of the incorporated association’s committee. We also hope to be eventually registered as a not-for-profit organisation. Once the initial committee is formed, they will decide whether or not the time is right to expand the current acceptance of membership applications.

So, without further ado, join the Sydney Spectaculars Society now!

Just click ‘Join’ on our Frontcover page & follow the prompts.

In the meantime, if you don’t want to become a member, we encourage a 65-cent donation, also through our Frontcover page.

‘Sydney Spectaculars’ Now On ‘Frontcover’!

Sydney Spectaculars is now on Frontcover!

After over a decade, our site has now reached the point where we need to earn revenue in order to provide further coverage of Sydney’s major events without losing existing popular content. Therefore, Sydney Spectaculars has joined Frontcover.

We want to still keep our content as free as possible but in order to do that, we need donations. Initially, we were going to request a donation of 5 cents per year per visitor but due to technology limitations, it will have to be a minimum donation of 65 Australian cents per year. Out of our annual site visitation, we estimate 9% of our visitors to end up contributing 65 Australian cents compared to 100% if it was just 5 cents per year.

To donate, head to our Frontcover page. Then, click ‘Support’, sign up to Frontcover & then follow the prompts to donate. You can donate any amount but it is a minimum of 65 cents regardless. We, unfortunately, cannot make it any lower. A processing fee rounds up the full cost to 1 Australian dollar. A tip to the Frontcover platform is completely optional.

We are initially raising funds in order to fund an expansion of our storage so we can continue to add imagery to our posts. Unfortunately, we have ran out of storage to continuing providing imagery on our posts even after deleting unnecessary existing media & keeping imagery to the minimum requirements in terms of pixels. This is why there have been no posts since March (though luckily, no super major news has broken in that time).

If we find we are not raising sufficient funds to cover this cost, we will have to remove old content in order to publish new content, at least in the short term.

If you donate more than 65 cents, contact us if you have a suggestion on where you want the extra funds to go.

In regards to Frontcover, you may have seen that our (rather empty) page is called Sydney Spectaculars Society. We have plans to expand in the very near future so sign up to Frontcover through our page & stay tuned!

…but for now, in the short term, 65 Australian cent donations are appreciated.

Ticketmaster Announced As ‘Rugby World Cups – Australia 2027-29’ Official Ticketing Service Provider

Ticketmaster has been announced as the official ticketing service provider of the Rugby World Cups – Australia 2027-29.

The announcement was made at Ticketmaster’s Legends In Sport event in London, the United Kingdom.

The Rugby World Cups – Australia 2027-29 will begin on Friday the 1st of October 2027 with the men’s tournament, with its final on Saturday the 13th of November 2027. The women’s tournament will be held in 2029 with dates yet to be determined but are likely to be held roughly in the same months as the preceding men’s tournament.

Ticketmaster is playing a key role in supporting our mission to grow the global game by making the sport more accessible & more relevant to a wider and global audience. The collaboration has proven to be particularly successful in making women’s Rugby World Cup England 2025 the most sought-after women’s sporting ticket of the year & the biggest women’s rugby event ever.

With men’s and women’s Rugby World Cups at the centrepiece of a golden decade of rugby in Australia & a gateway to a new era of rugby, the extension of our collaboration with Ticketmaster is a natural progression & reflects our ambition to break records in Australia.

Alan Gilpin, World Rugby Chief Executive

We are proud to be partnering with World Rugby to deliver one of the biggest sports tournaments in the world. As a leader in ticketing world-class sporting events, the teams at Ticketmaster look forward to delivering a seamless experience for rugby fans across the globe who will make their way to Australia for men’s and women’s World Cup events.

Gavin Taylor, Ticketmaster Australia Managing Director

Sydney/Gadigal Confirmed To Host 13 ‘Rugby World Cup’ 2027 Matches Including The Final While Losing Opening Match To Perth/Boorloo

Sydney/Gadigal has been confirmed to host 13 matches for the Rugby World Cup 2027 – Australia including the Final, though it has missed out on the opening match to Perth/Boorloo & thus the Opening Ceremony and the Capping Ceremony for the Australian team, the Wallabies & their 1st opponent. Sydney/Gadigal will also host 5 Pool Stage matches, 2 Round Of 16 matches, 2 Quarterfinals, both Semi-Finals & the Bronze Final.

Rugby World Cup 2027 – Australia Host Cities Announcement at The Theatre Bar
Photograph: Destination New South Wales

Apart from Perth/Boorloo, which will host 7 matches, 5 other cities were announced to host matches. The other 5 are:

  • Brisbane/Meeanjin (10 matches)
  • Melbourne/Narrm (8 matches)
  • Adelaide/Tarntanya (6 matches)
  • Newcastle/Awabakal-Worimi (4 matches)
  • Townsville/Gurambilbarra (4 matches)
Rugby World Cup 2027 – Australia Host Cities
Image: Rugby World Cup 2027 – Australia

These cities were selected for their vibrant culture, world-class hospitality & scenic landmarks.

Adelaide/Tarntanya, Newcastle/Awabakal-Worimi & Townsville/Gurambilbarra will all host only Pool Stage matches.

Brisbane/Meeanjin, Melbourne/Narrm & Perth/Boorloo will all host 2 Round-Of-16 matches and 5 Pool Stage matches though Brisbane/Meeanjin will also host 2 Quarter-Finals, all but Perth/Boorloo will have an additional Pool Stage match while Perth/Boorloo will host the opening Pool Stage match.

With Perth/Boorloo hosting the opening Pool Stage match, this will mean they will also host the Opening Ceremony and prior to that, the Capping Ceremony for the Wallabies & their 1st opponent.

The last time Australia hosted the Rugby World Cup in 2003 these were hosted by Sydney/Gadigal with the Capping Ceremony including a fireworks display on the Sydney Harbour Bridge & 1 barge on the water.

Rugby World Cup 2003 – Australia Capping Ceremony Fireworks
Photograph: Australian Broadcasting Corporation\

Sydney/Gadigal will still hold capping ceremonies but only for those teams playing their 1st match of the tournament in Sydney/Gadigal if any.

The subsequent pre-match Opening Ceremony also included pyrotechnics on the Sydney Harbour Bridge & Opera House in the opening segment.

However, with Sydney/Gadigal hosting the Final still, a post-match Harbour fireworks display, featuring the Bridge & 2 barges, as also seen in 2003 is still possible. An illumination of the Sydney Opera House in gold for the Wallabies is all but certain. A Bridge Effect is extremely unlikely, though a drone show should not be ruled out.

The tournament is projected to generate AUD$1.3billion in direct visitor expenditure from more than 250,000 international visitors of which 200,000 & AUD$600 million will enter New South Wales (NSW) & its’ economy.

For the host cities announcement, the Webb Ellis Cup was brought to Sydney/Gadigal:

The Webb Ellis Cup in Sydney.
Photograph: Rugby World Cup 2027 – Australia

The full inventory of host venues & the location of where Australia will play in the Pool Stage will be confirmed later this year.

The Rugby World Cup 2027 – Australia will be held between Friday the 1st of October & Saturday the 13th of November 2027.

The selection of these incredible host cities reflects our commitment to bring Rugby World Cup to as many Australians as possible & maximise the tournament’s positive impact and sporting legacy in all host communities. Australia’s iconic cities & rich culture will create an extraordinary atmosphere for fans & players alike, uniting an entire nation for 6 unforgettable weeks. We look forward to working with host cities to make this tournament one for the ages.

Brett Robinson, World Rugby Chair

Rugby World Cup is among the planet’s biggest sporting events & Australia is incredibly excited to welcome the world to the 2027 edition. Australia has a rich history of hosting major tournament. Indeed, we co-hosted the 1st ever Rugby World Cup almost 40 years ago & I have no doubt this event will captivate and enthral the hundreds of thousands attending in-stadium & the hundreds of millions viewing around the world.

From the positive economic impacts to the energising of the fan base to the inspiration provided to the next generation of players, Rugby World Cup 2027 will leave a legacy that will be felt in Australia for many years to come & as for the players, representing your country at a home Rugby World Cup is the absolute pinnacle.

It’s hard to put into words how significant a Rugby World Cup on home soil is & to have the host cities confirmed brings another level of excitement and anticipation.

I have vivid memories of being a young boy, living in country New South Wales with my family when Australia last held the tournament in 2003 & what that buzz was like for the local community. As players, Rugby World Cup is certainly in the back of our minds & we know the whole country will be right behind us in a little of 2 years time.

Harry Wilson, ‘Wallabies’ Captain

Staging the finals & having more matches than any other state demonstrates just how attractive New South Wales is as a destination for global sporting events.

To all those keen rugby fans across the globe, it’s time to lock in your travel plans. Not only will you get to watch some fantastic sport, but you will also get to tour the best state in the world, home to extraordinary national parks and unparalleled Harbour views.

Chris Minns, NSW Premier

‘Sydney Spectaculars’ At Risk Due To Proposed Glebe Island Housing Development

Circular Quay drone shows, Vivid Sydney water shows, Handa Opera On Sydney Harbour, Australia SailGP & fireworks from barges over Sydney Harbour at any time of the year are under threat from a proposed high-density housing development at Glebe Island. This does not affect Sydney NYE2024 (the upcoming edition).

Glebe Island is home to a port with 260 metres of deep waterfront wharf space, where Handa Opera On Sydney Harbour‘s enormous stage is prepared before been moved to Fleet Steps. Barges & pontoons are also moored at Glebe Island for the preparation of pyrotechnic displays & drone shows held from them. For the pyrotechnics, cranes are used to load the fireworks onto the barges & pontoons while for both drones & fireworks, the barges & pontoons are then moved into Sydney Harbour (or in the drone shows’ case, moored at Campbells’ Cove) for the displays. The same also applies for the annual water show held in Cockle Bay during Vivid Sydney, whose water pump infrastructure is first prepared at Glebe Island while Australia SailGP requires the delivery of 120 shipping containers.

Sydney New Year’s Eve (NYE), the most significant annual pyrotechnic event on Sydney Harbour, uses 6 barges and 4 pontoons. Without these, the display would be reduced to just the Sydney Harbour Bridge and Opera House & city buildings. Fireworks displays at any other time of year & drone/water shows as well as Handa Opera On Sydney Harbour & Australia SailGP will be impossible to be held.

And according to Adam Huie of Banks Events, who has helped produce Sydney Spectaculars (the events, not the blog) since 1997, that’s what will happen if Glebe Island is no longer a port.

First things first, Glebe Island is a bit of a misnomer. It was an island originally, but it doesn’t exist anymore. It was joined to the mainland just over a century ago but now, fast forward to 2016.

On the 14th of November 2016, the New South Wales (NSW) Government announced Sydney Metro West, an underground rapid transit line. One of its proposed stations is to be at The Bays precinct, “Sydney’s new innovation hub where 95 hectares of land is being regenerated”.

Green: Glebe Island, Brown: Reclaimed Land, Blue Line: Sydney Metro West (under construction), Blue Boxes: Sydney Metro West Stations (under construction).

At the time, the land regeneration wasn’t to include Glebe Island, which was instead marked as “for further study”.

The Bays Precinct Urban Renewal Area In 2014
Image: The Sydney Morning Herald

And indeed, further study it was, in secret. On the 25th of July this year, The Sydney Morning Herald revealed that the NSW Government had secretly commissioned a review into Glebe Island. The now not-so-secret review is being undertaken by Michael Schur, a consultant who was a former NSW Treasury secretary in 2011, who will also review the non-cruise ship terminal portion of the White Bay foreshore. He will be assessing options including:

  • Retaining the ports with no nearby high-density housing
  • Moving the ports for nearby high-density housing
  • Building a hybrid model

The proposal by the NSW Government to turn it into high-density housing is made due to the now-under construction The Bays Metro Station, which would be able to handle large amounts of passengers & therefore, potential residents. The NSW Government later admitted the review was real.

Tom Forrest, Urban Taskforce Chief Executive said Glebe Island had the potential to be Sydney’s next Barangaroo which he described as “vibrant, open & perfect” but industry wants to stay at Glebe Island.

For example, the Port Authority of NSW, a corporation of the NSW Government, while supporting the Schur review, is opposed to the Glebe Island port closing down or being relocated. As noise, pollution & truck movements are all key considerations in whether the hybrid model can work, they even warned against that option, saying “sensitive uses” near ports & shipping threatened to upset operations. It is this position that has led event producers to not make a collective submission.

The NSW Liberal Party is also opposed to the relocation while Stuart Aryes, Urban Development Institute Of Australia, Chief Executive said a mixed-use precinct “could be a new jewel in the Sydney Harbour crown”.

The City Of Sydney, in a statement (below), gave a response which sounds like a wait and see approach with supreme confidence. The confidence is justified as Glebe Island/White Bay has not always been the location the pyrotechnic barges been prepared from. For example, in 1996, Wooloomooloo was the location for the set-up of the main barge used in the 9pm Family Fireworks that year. It relocated to White Bay/Glebe Island the following year.

However, Adam Huie told Sydney Spectaculars (the blog this time) that Wooloomooloo is “now occupied by other uses and unavailable”. You can read his full comments, which were published by The Daily Telegraph, at the bottom of this article.

The review is likely to be published by the end of the year.

The Sydney NYE2024 Glebe Island media call is on Friday the 27th of December at 10am & it wouldn’t be a surprise if questions are asked there about this situation.

Sydney NYE2024 is on at 7:30pm on the 31st of December while Australia SailGP returns on the 8th-9th of February with Handa Opera On Sydney Harbour 2025 being held between March 21 and April 20 & will be musical Guys & Dolls this edition.

There is a range of things that you could do with Glebe Island that are better than the way it has been used for a long period of time & one of those is obviously housing.

Anthony Albanese, Prime Minister Of Australia

If the government has an announcement to make, it will be made at an appropriate time.

NSW Government Spokesperson

The harbour is our jewel in the crown & Glebe Island supports that gem. Our harbour is also more complex & multifaceted than people realise so while we excel at events, they need a platform supporting them.

Margy Osmond, Tourism & Transport Forum Australia Chief Executive Officer

The government’s own department is telling them that this is a bad idea – that should tell you all you need to know.

Natalie Ward, NSW Legislative Councillor

Any proposed plans for the Glebe Island site is a matter for the state government.

Our experience over the years has meant we are adept at working around evolving changes to the event’s production to ensure we continue to deliver one of the world’s most spectacular New Year’s Eve celebrations.

City Of Sydney Spokesperson

(Barangaroo) That’s the sort of vision we need to see. Maintaining Sydney as a quasi-working harbour was a prospect that was abandoned by governments 30 years ago. Continuing to operate a hybrid model ensures the Bays Precinct will fail to deliver its potential. The last thing we want is to keep that giant hardstand area in order to satisfy the old Maritime Services Board.

Tom Forrest, Urban Taskforce Chief Executive

Sydney will struggle to be a better city without Glebe Island. The thought that the fireworks & other major events could be in jeopardy is truly alarming. Access to Glebe Island for preparing events is vital for the events sector & for Sydney’s economy, tourism and culture.

Paul Nicolau, Business Sydney Executive Director

We live here because of the working harbour.

Elizabeth Elenius, Pyrmont Action Group Founder

We use Glebe Island for a lot of events that mean so much to this city.

Because the Port Authority has had management of the site and their support for events is strong. We’ve seen that as the state government supporting our events but this report that’s coming has given everyone the jitters. We don’t know what is going on. These events are too important to Sydney. People around the world know us for our NYE celebrations. It would be terrible if we had to scale that back because a necessary work site was not available.

There’s quite a number of events that use that space as an essential part of their work. There’s Australia Day, Vivid, SailGP and Opera On The Harbour. They would all have major issues putting on some of their events without Glebe Island.

The drone show for Vivid in June required 110m of wharf space at Glebe Island for 4 weeks to build a barge & install the equipment allowing 800 drones to take off. Every city in the world that SailGP operates in, they deliver essentials by ship & set up on a wharf. If Sydney doesn’t have Glebe Island port, where are they going to go? All these events need waterfront access on the harbour.

People have spent years trying to work out how to deliver the New Year’s Eve fireworks if Glebe Island suddenly wasn’t available. We’ve never come up with a solution. The only sensible option would be to scale back on the event & surely no one wants that. Sydney has one of the best fireworks displays in the world, but the event could not be done the way it’s currently done without that Glebe Island facility.

I’d laugh at anyone suggesting (Port Botany, Kembla, Newcastle) that. There’s no way you’d be loading barges there & then shipping them here. Logistics require clear weather windows of opportunity. It would be unworkable, virtually impossible but why does that even have to be considered when we’ve got a working wharf right here?

Adam Huie, Banks Events Producer

‘Rugby World Cup’ 2027 – Australia Visual Identity Unveiled

The visual identity for the Rugby World Cup 2027 – Australia (men’s edition) was unveiled today.

With a focus on a “new era” in the sport, which is a reference to increased inclusivity, excitement & ambition, the visual identity utilises an orange hue to represent the Earth & the Sun’s warmth while lines symbolise multiple physical phenomena like coastlines, rivers & rock layers, which converge onto the Rugby World Cup ball, with the letters ‘RWC’ in it. The ‘RWC’ ball is a permanent feature of the logo, having been introduced for the Rugby World Cup 2025 – England (women’s edition).

Woven into the visual identity is an Indigenous tapestry by Riki Salam from We Are 27 Creative that symbolises 3 significant spiritual elements of First Nations cultures – land, sea & the sky.

Together, the whole visual identity represents a united Australia’s diverse geography.

The unveiling of the visual identity was accompanied by the publishing of the official website for the men’s tournament: https://www.rugbyworldcup.com/2027/

You can also check out more of the visual identity here, with this image showing the tournament’s qualification process for the 12 remaining slots:

With permission, cultural knowledge & deep respect, our goal was to represent the diverse Aboriginal and Torres Strait Islands cultures from across Australia in a contemporary design. I’m truly impressed with the outcome & how seamlessly my work integrates into the Rugby World Cup 2027 visual identity while also contributing to greater global awareness of Indigenous peoples & cultures.

Riki Salam, ‘We Are 27 Creative’ Indigenous Artist

As preparations gather momentum, we are excited to unveil the visual identity for Australia 2027 bringing the tournament to life for all rugby enthusiasts out there. With its rich cultural heritage & beautiful landscapes, Australia will be a fantastic backdrop to kick-off rugby’s new era of entertainment and openness & we look forward to welcoming rugby fans and newcomers to this nation-wide celebration of rugby.

Chris Stanley, ‘Rugby World Cup’ 2027 – Australia Managing Director

Australia 2027 represents more than just a tournament. It is a powerful statement about the future of our sport & the way we can grow the game by making it even more inclusive and entertaining. The expanded format, combined with a fresh, bold vision and visual identity, will showcase the very best of rugby to audiences worldwide & cement its own place in Rugby World Cup history with a fantastic display of Australian cultures and a positive rugby & societal legacy for Australians & the sport across the region.

Brett Robinson, World Rugby Chair

Reviewing The ‘Monarchical Fleet Review’

It was a sparkling Sydney day as the city nearly always does on major event days such as this. Arriving at Circular Quay, it was hard to miss the long snaking queue of Royal fans winding it’s way down East Circular Quay, along the Promenade across to West Circular Quay & the Overseas Passenger Terminal. The length easily meant a long wait to the gates of the Sydney Opera House. However, I didn’t need to join this queue as the best viewing spot for the Monarchical Fleet Review was on the water. For these events, a land vantage point always blocks some portion of the review. On the water, this disadvantage is all but removed.

Arriving at 3:45pm, 45 minutes after the Sydney Opera House gates opened would have ensured it was hard to see the Royal couple at the Sydney Opera House given people had been waiting to enter since as early as 5:30am & the time that has passed since the gates opened would have meant the best spots were already gone. If you were just happy to see them at the Opera House rather than meet & greet them, joining the queue for the 4:20pm start for the meet & greet would have been worth the wait.

But for the Fleet Review, on the water is the best. At the Sydney Opera House, spectators were prevented from accessing the relevant shoreline for the Fleet Review by security until the Royal couple had hopped on board their boat so being at the Sydney Opera House would have meant missing the start of the Fleet Review on the water despite being at a waterside vantage point. The Northern Forecourt was also sealed off for the entire event.

When the Fleet Review started, the Admiral Hudson took the Royal couple along the edge of Farm Cove so spectators in the Royal Botanic Gardens & The Domain could see them. Apart from a small patch of spectators at the Opera House gates and at Mrs Macquarie’s Point, the Farm Cove shoreline was noticeably empty. Once they finished their journey around Farm Cove, the formal inspection of the Royal Australian Navy (RAN) ships begun.

I was on board the Pearl, a cruise vessel operated by Sydney Princess Cruises. I checked-in at their ticket booth just off the Eastern Pontoon of Circular Quay. The ticket booth operator greeted me with brilliant customer service – they managed to guess who I was before I told them who I was. They gave me my ticket & waited for the vessel to arrive at 3:55pm.

The vessel arrived a little bit late but that wasn’t a problem. King Charles, was in fact, running behind schedule at this point too & the Fleet Review was scheduled to start at 4:50pm – plenty of time for the vessel to arrive & take us to Farm Cove, where the Fleet Review would begin.

The Pearl arrived at 4pm, 5 minutes late to the ticket operator’s instruction but it was the scheduled time for the cruise, and we boarded, greeted kindly by the staff on board. The vessel has 2 interior levels & an open deck on top. I didn’t pay much attention to the lower boarding deck, but the upper interior deck had tables with 6 chairs each nicely arranged for people to relax at. The top open deck was wide & spacious. For refreshments, this cruise only had simply tea & coffee as its focus was on sightseeing rather than dining. With a capacity of 140 people, which would be full on New Year’s Eve, I expected about 10 people on board for this event. The cruise probably received about triple this but was still low enough to make the cruise rather pleasurable compared to the hustle & bustle of a New Year’s Eve cruise, though the fireworks would make that discomfort worth it.

The cruise departed at 4:16pm – 16 minutes late – but again, the Fleet Review wasn’t to be for just over half an hour & the King himself was late too. The trip began by going around the Sydney Opera House. At around 4:27pm, whilst crossing Farm Cove & approaching the nearest RAN ship anchored for review, His Majesty’s Australian Ship (HMAS) Warramunga, the boatswain’s call could be heard being blown from the ship as a cruiser went past. Knowing the King was scheduled to arrive at the Sydney Opera House at 4:20pm, a full 7 minutes prior, despite knowing he was running behind schedule, out of a rush of excitement, I thought the cruiser was his & that he decided to do the Fleet Review first and was just finishing! Everyone on board both boats waved enthusiastically at each other, 1 happy to see spectators, the other thinking they were seeing the King & Queen.

Looking at the vessel, it was definitely his cruiser, the Admiral Hudson, as confirmed to us by our commentator who delivered us the news that the New South Wales (NSW) Police had yelled over the radio to the captain to stay away from the vessel (despite the official website saying the exclusion zones didn’t come into effect until the Fleet Review started) but I noticed the King’s Flag For Australia was not flying so he wasn’t on board. It later turned out they were delivering the Governor-General & Australian Defence Force (ADF) officers to Man O’War Steps. Important dignitaries but still, the NSW Government should provide more accurate exclusion zone advice prior to the event. In any case, even though the Pearl passed the Admiral Hudson, the Admiral Hudson also kept to its path. If there was a real security threat posed by a marine vessel that was within an in-effect 100-metre exclusion zone surrounding the Admiral Hudson, ploughing on through as if the marine vessel wasn’t there is not a good idea and in fact, would heighten the security risk. The NSW Government & the RAN should be more proactive in this regard.

Anyway, after that little incident, the cruise went around Sydney Harbour on a sightseeing tour heading east to near Shark Island before turning around. The Harbour had a steady breeze and keeping our balance on the choppy water was, at times, a challenge. Our commentator gave us a nice simple commentary neatly catering to the international tourist. He spoke clearly and kindly gave updates on the King & Queen’s whereabouts throughout the journey. At this point, the ‘pre-show entertainment’ began – 2 helicopters flying around with a flag under them – 1 the Australian National Flag & 1 the RAN Ensign. They flew around until the end of the Fleet Review, emphasising the pride Australia has in itself & their Navy.

Throughout this journey, we passed the other 4 RAN vessels anchored in Sydney Harbour. All 5 were dressed ship & decks manned with sailors in ceremonial uniform ready for review. There were also other working RAN vessels that were sailing around the Harbour. Garden Island also had the full complement of RAN sailors from ships that couldn’t attend neatly lined up in a row of white along the foreshore ready for the King. Throughout the sightseeing portion of the trip, the King & Queen arrived at the Sydney Opera House and conducted their meet & greet.

Our vessel then hung around the eastern shore of Kirribilli. This time, though, there was an actual breach of the exclusion zone around Kirribilli Point, which has the King & Queen’s temporary residence in Australia – Admiralty House – normally the Governor-General’s Sydney residence & the Prime Minister’s residence – Kirribilli House. A 200-metre exclusion zone was in force around the Point & whilst waiting nearby, the current took the Pearl into the exclusion zone. A New South Wales Police officer on a small vessel promptly motored to the vessel & ordered the captain out of the exclusion zone immediately, though there was some confusion on the part of the crew (at least the commentator, who oddly seemed to be the main communicator between the police officer & the captain) as to what they accidentally did wrong. The captain took us out of the exclusion zone & as we hovered nearby outside the exclusion zone, we promptly see a yacht being told off for the same thing.

Over at the Man O’ War Steps, at 5:12pm, we could see the Admiral Hudson depart indicating the Fleet Review had begun, though 20 minutes late, but unexpectedly, as mentioned before, it did a brief slow journey along the foreshore of Farm Cove for the few spectators there (as that area was promoted as an official vantage point) so it technically didn’t begin until that was completed. Sydney’s sailing fleet was waiting between Garden Island and Mrs Macquarie’s Point for the King and Queen to arrive & then, to follow them around. Over in the distance, over South Head in the east, heading south was the helicopter flypast by the Australian Army & RAN about to turn to make their flypast over what is, ultimately, their Commander-In-Chief.

This fleet review was historically significant as it was to become the 1st ever conducted on Sydney Harbour by the Monarch of Australia. After reviewing the 1st ship, HMAS Warramunga, the helicopter flypast occurred by the Australian Army & RAN – 17 minutes earlier than planned during the Fleet Review (though 11 minutes late in real time). They flew in perfect precision and was quite a sight with the ‘chudda-chudda-chudda’ of the spinning rotors reminding everyone of the sacrifices that our Defence personnel make or could ultimately make. It was just as spectacular as the one they did in 2013 for the International Fleet Review. There also a late addition – a Bell UH-1 Iroquois ‘Huey’ helicopter from the Historic Aircraft Restoration Society Museum in Shellharbour, where the Sydney Spectacular – Airshows Downunder Shellharbour – is based.

With the helicopter flypast surprisingly done already, the Admiral Hudson then went to review the sailors at Garden Island. When they arrived there, our vessel began the journey to catch up with those nearby waiting vessels, who had begun following the King. We then saw, from a distance (as the crew were now worried about breaking the exclusion zone even more times), the King & Queen review 3 other ships. Their path was a simple circular trip up to near Shark Island, similar to the sightseeing portion of our cruise. Whilst we couldn’t make out the King & Queen, the RAN sailors were clear as day, standing immaculately with patience & loyalty before the commanding officer of their ship boomed out of the ship’s loudspeakers the words: “3 cheers for His Majesty King Charles The 3rd. Hip. Hip, hip” before all the sailors waved their caps in circular motion with a big loyal “Hooray!”. The hips & hoorays were then twice repeated before the order was given for the sailors to redon their caps.

The Pearl had followed a smaller circular trip, roughly half the size of the 1st one, in order to follow the King & Queen. As they approached the final ship, HMAS Arunta, we were now in viewing range of the King & Queen whilst maintaining the 100-metre exclusion zone around the Admiral Hudson. They then went out of viewing range before it returned into range in the midst of The King’s review of HMAS Arunta.

The Admiral Hudson, which all the vessels were following, then made speed for Admiralty House. There, King Charles and Queen Camilla left the vessel & were in viewing range. The Queen’s white dress, in the sea of white ceremonial navy uniforms, was so bright that it stood out. You couldn’t miss it. King Charles’s suit blended in with his surroundings and the Governor-General’s choice of similar colouring didn’t help matters but the King was able to be seen once you spotted him.

They paused on Admiralty House’s wharf as sneaking up behind us, in the east, was 4 Royal Australian Air Force jets flying in close formation past Admiralty House & over the Sydney Harbour Bridge. They roared overhead to provide a fitting finale to the Monarchical Fleet Review similar to the famous balcony appearances the King & Queen make at Buckingham Palace after Trooping The Colour and other significant Royal events in London.

The King & Queen then climbed the long stairway up to Admiralty House & as they neared the top, the Pearl sailed passed the Sydney Opera House back into Circular Quay to the Eastern Pontoon, arriving back at 5:54pm, 6 minutes earlier than scheduled – though the cruise’s finish time was entirely based on when the Fleet Review finished, which was scheduled to finish at 5:20pm.

The commentator kindly asked us to remain on the decks until instructed & when the all-clear was given to disembark, we left to the sight of the next waiting crowd of cruisegoers on Sydney Harbour. The crew of the Pearl all kindly thanked us for cruising with them that afternoon as we disembarked.

At a price of $55 per adult & $40 for children, the cruise was great value for money especially if you were a tourist after a simple plain sightseeing cruise, which I entirely recommend. The only hiccup was the accidental Admiralty House exclusion zone breach and the subsequent understandable nervousness of the crew to get as close as possible to the Admiral Hudson. However, the crew’s, at least the commentator’s, lack of not realising what they had accidentally done wrong was a bit concerning.

With the Monarchical Fleet Review, whilst the schedule should have been better kept & exclusion zone advice made clearer, the event was simply run to perfection – a Sydney Spectacular. What other body of water in the world could host such a review of a naval fleet by a country’s head of state? The images ran around the world. Even on a small scale compared to 2013, it was still spectacular.

The ADF, in particular the RAN, should be proud. Though their helicopter pilots were eager to make their salute, they once again delivered.

They & Sydney Princess Cruises passed my inspection.

ADF – 9/10

Monarchical Fleet Review – 8/10

Sydney Princess Cruises – 7/10