Held from 5:20am to sunrise (6:10am), the 2022 edition featured the artwork of acclaimed Western Desert artist and elder Yadjidta David Miller. Mr Miller, a senior Pipalyatjara man based at Uluru, painted the Goanna (Perentie Lizard) Songline (Ngintaka Inma) that featured in ‘Solid Rock, Sacred Ground‘, the opening segment of Australia Day Live.
The Sydney Opera House projection coincided with both the Australian National Flag & Australian Aboriginal Flag being raised on top of the Sydney Harbour Bridge at 5:45am – both flags remained at full mast for the whole day & is symbolic of moving important conversations forward and sharing a combined commitment to harmony and reconciliation. It was a symbol of unity, recognition and inclusion.
2021 – Angwirri
Dawn Reflection began in 2021. It was not announced prior to the event so it was a surprise addition on the day. Held between 5:20am & sunrise (6:11am), the Sydney Opera House projection coincided with both the Australian and the Aboriginal flags being raised on the Sydney Harbour Bridge at 5:45am, which was a former feature of the WugulOra Morning Ceremony conclusion.
Being a Sydney Opera House projection at the start of a day which ends with a flagship ‘Sydney Spectacular, it automatically earned a status as a ‘flagship’ Sydney Spectacular – the 2nd Australia Day In Sydney event to be given the title.
The artwork was called Angwirri (pronounced Ung-wer-ri) which means ‘Begin to talk’ in Yaygirr language.
NSW artist, Frances Belle-Parker, was commissioned to create the artwork. Ms Belle-Parker, a proud Yaegl woman, mother and artist from Maclean on the Clarence River said she is proud to have designed the projection to represent the oldest living culture in the world.
She is deeply inspired by her Mother’s land (Yaegl land) and the island in the Clarence River that her Mother grew up on, Ulgundahi Island.
Frances came to prominence after winning the Blake Prize in 2000 making her the youngest ever winner & the first Indigenous recipient in the prize’s history.
Frances completed a Bachelor of Fine Arts through the University Of New South Wales, and a Bachelor of Visual Arts (Honours) and a Master of Indigenous Studies (Wellbeing) both through Southern Cross University.
Frances has been a practising artist for the last 20 years, undertaking art residencies in China and Andorra, exhibiting nationally and internationally and working on public art projects.
I am inspired by the Yaegl Landscape and those stories which were shared with me and passed down from our old people
It is my responsibility to document these stories and to map our landscape, in doing so I am making a valuable resource for my children and all of the younger Yaegl mob
By creating this work, it gave myself the opportunity to help tell a story that not only represents who we are as a nation but also to give people a wider understanding of Aboriginal Culture and how valuable it really is to our identity as a nation
Our sense of belonging to the land is something that is intrinsically embedded into our being, and as First Nations people we are responsible for sharing the truth of our history
The colours are inspired by the vast array of colours present in the Australian landscape and coastline.
The brown linear design symbolises a mapping of country/coastline
The circle markings depict the 250+ Aboriginal Language groups present in Australia and the linear marks representFrances Belle-Parker, Inaugural Dawn Reflection Artist
the 200 nationalities that call Australia home
Yvonne Weldon, Chair of the Metropolitan Local Aboriginal Land Council said it’s a time for inclusion and the opportunity for greater understanding and reconciliation between Aboriginal and non-Aboriginal Australians.
The raising of the Aboriginal Flag at the outset of Australia Day symbolises a deep respect for Aboriginal people and culture within New South Wales – in the first State, at first light we recognise our First Nations.
It is an important moment to remember that Australia’s First Nation’s people are the foundation of our nation’s story. It is important to acknowledge and honour the sacrifices and we thank the ancestors for their custodianship for thousands of generations.Yvonne Weldon, Metropolitan Local Aboriginal Land Council Chairperson